Not quite.
One more step to complete your submission package. The dreaded
query letter.
Aak! You say. A query letter?
What’s a query letter? How do I write one?
Well, let’s look at this. Let’s examine the basic structure. It
should be 1.5 spaced, 12 point font, and contain your story and
the relevant information about you, all in a single page.
Let’s start at the top. I've put the how-to in black and my query in blue.
The Demographic
Information
This is for the when, what/why, who, where, and salutation:
Date (when)
Query for Artistic Endeavor (what and why)
Contact Information: Whitley Gray, writing as
Graycie White (if using a pen name) (who)
Editor’s Contact Info: Target Editor, Favorite
Publishing (where you’re sending it)
Dear Target Editor: (salutation)
Introduction
In this paragraph, you should have the title of the work, the
length, the genre, and the state of completion. I strongly suggest not querying
before the manuscript is complete and polished. If there’s a particular reason
you’re targeting that publisher and/or editor for a particular reason, consider
working that in. If a friend published with that publisher will vouch for you,
that can be added. Only room for one reason in this intro paragraph, so use the
best one for your case. Finally, add your logline (or a version thereof) to
introduce your characters. At this point, you want to keep the editor
interested and moving on to the next paragraph.
Introduction: I’ve read and enjoyed several of your authors, and
feel my contemporary male/male romance would be a good fit for Favorite
Publishing. Complete at 20,000 words, Artistic Endeavor is the humorous tale of
a commitment-phobic graphic designer and an inexperienced prickly art professor
who meet on a blind date.
Paragraph two: introduce your first character. Choose the one
whose story it is. Name, a bit about him that is relevant to his attitude
toward life at the beginning and then demonstrates his character arc. Here we
see Michael:
PGH
2: Michael Esteban has spent most
of his adult life enjoying carefree no-strings-attached sex. Settling down is
for other people—who needs the emotional baggage? After all, how many “forever”
relationships has he seen fall apart? But now that his best friend is making
monogamy work, Michael fantasizes what it would be like to have someone who’d
support him without question. Looking for a guy who wants more than sex is
going to take some work, and Michael will have to rethink his whole approach to
dating.
Third paragraph: introduce the other main character in the same
way: attitude followed by character arc.
PGH
3: Cobey Miller had his first—and
last—sexual encounter in college. After a grope and painfully intrusive
fingers, Cobey grabbed his pants and opted for celibacy. College and grad
school made a convenient excuse for avoiding his sexuality, but now he’s got a
job as a junior professor in the college’s Fine Art program. It’s time to grow
up and get some experience with the gay lifestyle. The problem is how to
accomplish the goal without getting used and abused. He’s going to need someone
to show him the ropes, gently and at his pace.
Next, in paragraph four, you’re going to give a microsynopsis of
the main story problem:
PGH
4: When friends introduce them,
Cobey’s first thought is to run; Michael is way too experienced. Deflowering
virgins isn’t Michael’s thing, but the shy art professor brings out a bit of a protective
streak in Michael. A gradual initiation is going to take some time—Michael has
to get to know Cobey before he’ll feel comfortable exploring any sort of
intimate encounter, and together they’ll discover whether prior acquaintance
makes sex better. Michael finds himself falling for Cobey, but will Cobey fall
for the first guy he sleeps with?
The final paragraph is to tie up the query. Are you published? Say
so. If not, BE HONEST and admit it. We all start somewhere. List any
professional organizations. Belonging to these is a mark of your dedication to
your craft. Give your marketing platform links: website (if you have one),
professional Facebook author page and Twitter if you like.
Final
PGH: I am published in erotic and GBLTQ
romance, and belong to RWA and the RRW chapter of RWA. I can be found on line
at www.whitleygray.com.
I look forward to hearing from you.
Now you’ve got it—the
whole letter. Run it by your critique partner, just like you did your MS. Read
for typos—twice. Make sure you’ve included your pen name if you intend to
use one for this manuscript. Be positive you’ve spelled your name and the names
of the publisher, editor, and your characters correctly (Yes, I’ve seen authors
misspell the names of their own characters).
Now you’ve got your query letter! Go forth and submit.
Questions? Comments?
~*~
BIO:
Once upon a misspent youth, Whitley read and wrote stories under the covers at
night. Years later, inventing characters and putting them through their paces
in interesting ways turned out to be addictive, and along the way Whitley
discovered that two heroes is twice as nice. A pot of coffee and a creating an
adventure featuring a couple of guys makes for a perfect day. Stop by www.whitleygray.com and feed your fix
for heat between the sheets with erotica and M/M romance.Contact Whitley: whitleygray33(at)yahoo(dot)com.
I don't understand why I should do this complicated query letter, rather than simply submitting the story ... like I do with short stories. Yeah, for a novel I'll send title, length, a synopsis and whatever chapters they ask for, rather than the whole book. But shouldn't the synopsis and sample chapters give then enough info? And I always tack on my author bio (a standard item, rather than writing the info as a paragraph of the letter). Why does the "letter" (and by the way, e-mail, not a 12 point 1.5 spaced file) have to say more than "here's a story"?
ReplyDeleteHi, Jim.
ReplyDeletePoint(s) taken.
I think it boils down to what the individual publisher wants. In my field (romance), it's very common to require a query letter.
Individual agents sometimes want only a query letter and won't accept the offered synopsis/chapters.
It's not as much a matter of what will suffice as what is requested. In my quest to follow publisher instructions to the letter, I believe in sending exactly what is requested, no more, no less. Hence my article!
Thanks for reading and commenting!
Whitley
OK, I guess that makes sense. In the Spec-Fic field, requests for query letters are much less common ... a bare-bones approach seems to be the standard. So that's what I'm used to doing ...
DeleteGreat post, Kelley, and some great advice.
ReplyDeleteThanks, Marian!
ReplyDeleteWhitley
This is a great reference for us who shake in the face of query writing. Thanks so much for laying it out and making it easy to follow, Whitley.
ReplyDeleteP.S. Nice example also:)
Thanks, Kay Dee!
ReplyDeleteI IS a bootshaker to get these things ready.
Glad you like the example--that story is a WIP. Sometimes I find a query and/or synopsis can help me gather my thoughts about a story.
Whitley